Tanja ostojic biography of christopher columbus
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The Routledge Companion to Decolonizing Art History (Routledge Art History and Visual Studies Companions) [1 ed.] ,
Table of contents : • • Hannah Baader Culturas visuales indígenas y las prácticas estéticas en las Américas desde la antigüedad hasta el presente, Debates on the era of globalization, postcolonial critique, and the Anthropocene have urged scholars working in the elds of Art History and Visual Culture to develop sharper analytical tools and new de nitions for the study of art, artistic productions, and artifacts. With the 'global turn', Western distinctions between art and crafts, European notions of the exceptionality of the usually male artist, and universal concepts of art were no longer considered to have su cient explanatory potential or considered convincing in their exclusiveness (Elkins ; Juneja ). e need for new conceptualizations was and is pertinent not
Cover
Half Title
Title Page
Copyright Page
Dedication
Table of Contents
List of Contributors
Section I: Introduction
Introduction
Section II: Being and Doing
1 Writing Art History in the Age of Black Lives Matter
2 Being an Indigenous Art Historian in the Twenty-First Century: How Can Māori Adornment Reveal New Ways of Thinking about Art, Its Histories, and Futures
3 Reinvention at the Wheel: Shaping New Histories in the Decolonization of Disability
4 The Power of Absence: An Interview with Ken Gonzales-Day
5 Art in Paradise Found and Lost
6 The Maquette-Modèles of Bodys Isek Kingelez: Creole Visions of Decolonial Monuments
7 Decolonizing La Revolución: Cuban Artistic Practice in a Liminal Space
8 Museums Are Temples of Whiteness
9 Stepping Out of the Shadow of Imperial Monochrony: A Place-Centric Approach to Decolonizing Japane Croatian Theatre
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Session 13 Migration and Transculturalidad(e): Agents of Transcultural Art and Art History
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