Mandy thomas autobiography of a face
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I have been working with Penguin / Random House over the past year on my book.
The book launch date will be 8th October 2015 on The Lorraine Show
YOU CAN’T RUN
This book is about my life from the age of eighteen.
Having had a contract for an 80,000 word book and actually having 500,000 words , there’s a lot left out !
The main purpose of this book is to highlight the flaws within the system: Where cut backs cause lost lives, where mistakes cause lost lives and also to show what needs to be done now.
There also needs to be an understanding of this ‘disease’ called Domestic Violence.
Its widths, depths and breadths that cause untold damage globally.
How it spider-webs itself out from the perpetrator through generations now and into the future.
The ripples are deadly poison to the minds of those affected in person and those who see and hear and bear witness to such horrors. There needs to be an overhaul in the system, one that dictates to the world th
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Authors & Books
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Daly-Groves , LukeA
A, OfficerAdams, TomAddicott, CameronAddison, Adrian Adler, DominicAkoum, JadeAllan, Monica Allen, PeterAllerfeldt, Kristofer Arbiter, DickieArnold, Catharine Aronson, TheoArsenault, Bridget Ashworth, RoddyAstor, DesAylett, StanleyB
Bagirova , FidanBains, GurpareetBaker, AlanBanks, MichaelBarker, JulietBarrett-Lee, LynneBateman, ScottBeattie, DougBeckett, FrancisBellamy, GuyBerthon, SimonBessell, PaulBest, NicholasBleetman, TonyBoyd, JuliaBrazier, HughBrockhurst, JamesBrooke, DanniBroomfield, CathyBrunner, UrsBryant, Douglas JohnBullock, DavidC
Callan, RoryCalveley, MattCalvey, MichaelCampbell, GeorgieCampbell, DuncanCarey, NessaCarman, DominicCarney, JohnCarr, BarnesCartledge, BryanCary, JoyceCastle, MalcolmChapman, MarinaCheeseman, Keith Clark, AdrianClay, JeremyClegg, LisaCocks, TimColley, Siriol MargaretColmez, CoralieConlin, JonathanConnolly, KieronCook, WilliamCornell, DavidCorr, LauraCowling, DanielCraig, DavidCrockett, Soph•
Hollywood horror movies have earned their place as the reigning champions of clichés and overdone tropes. Iconic stories like “Frankenstein” and “Dracula” have been recycled, re-imagined, and represented both with success and resounding box office failure (looking at you, 2017’s “The Mummy”). Right alongside our favorite monsters are the ghost stories—which happen to be a personal favorite of mine. In my opinion, it’s a little harder to make a good ghost story into a movie, because suspense is harder to portray successfully then a well-done CGI monster. Ghost stories have their moments, and just like our iconic monsters, there are some ghost stories that stand the test of time and earn their place among the great horror novels of history, and thus their place in cinema.
The Turn of the Screw is the type of ghost story you may not have known you’ve seen before. It has the creepy house with dodgy staff, a spotty history with unexplained deaths, and Hollywood’s favorite horror