This work is in the public domain in the United States because it was published in the United States between 1930 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art.
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.
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Horror’S Greatest årstid 2 Interview with Showrunner Kurt Sayenga
Horror’s Greatestmakes a comeback with a second season filled with exciting episodes for horror fans hungry for more horror films to see in 2025. This season's episodes include “Animal Attacks”, “Killer Dates”, “Hidden Gems”, “Film Scores”, and “Space Horror”. Showrunner Kurt Sayengabrings to this årstid new perspectives to horror classics like The Birdsand Carrie, to lesser-known frights like The Blackcoat’s Daughterand Ghostwatch, with several on-camera interviewees, including myself.
Sayenga shares with us how he developed the themes of the episodes, what new films he discovered through this årstid, the impact of spelfilm scores in horror cinema, and what he hopes audiences will take away from the series.
Bonilla: How would you describe the theme of this season?
Kurt Sayenga: This season takes the general idea of Horror’s Greatestand expands upon it, taking it into places that show the flexibility of th
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Plik:Clu Gulager Marianna Hill The Tall Man.JPG
This work is in the public domain in the United States because it was published in the United States between 1930 and 1977, inclusive, without a copyright notice. For further explanation, see Commons:Hirtle chart as well as a detailed definition of "publication" for public art.
Note that it may still be copyrighted in jurisdictions that do not apply the rule of the shorter term for US works (depending on the date of the author's death), such as Canada (50 p.m.a.), Mainland China (50 p.m.a., not Hong Kong or Macao), Germany (70 p.m.a.), Mexico (100 p.m.a.), Switzerland (70 p.m.a.), and other countries with individual treaties.