Bess wohl biography template

  • Not your “story.” Not your “biography.” But your true self.
  • Maximum Entertainment Productions (MEP) was founded in by Eva Price and Avram Freedberg.
  • Speeches b Katie Couric Bess Wohl Lynn Nottage Johnny G. Lloyd, among many others.

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    Welcome to ZoomUnity Saturday!

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    This document provides instructions for joining and participating in a Zoom meeting called ZoomUnity Saturday. Users are instructed to click "Join with Audio" upon entering the meeting, mute themselves, and then rename themselves bygd going to "Participants", clicking their name, choosing "Rename", and including their kort för nicolas
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    EVA PRICE is an NYCLU/ACLU honoree and a three-time Tony award-winning, and two-time Olivier award-winning producer. Her productions have garnered 6 Olivier Awards, 2 Grammy Awards, 2 Emmy Awards, and 19 Tony Awards. Current: & Juliet (Broadway, 9 Tony nominations);  Jagged Little Pill (National Tour); Titanique (Off-Broadway, Lucille Lortel Award, Outstanding Musical) The Hip Hop Nutcracker (Touring Live Show, Disney +). Upcoming: Redwood (La Jolla Playhouse). Selected credits: A Transparent Musical (Center Theatre Group); Jagged Little Pill (2 Tony Awards); Oklahoma! (2 Tony Awards, 2 Olivier Awards, Best Musical Revival, National Tour, West End); Tina - The Tina Turner Musical; What the Constitution Means to Me; Angels in America (Tony-winning Broadway Revival starring Nathan Lane and Andrew Garfield); Dear Evan Hansen (6 Tony Awards, 3 Olivier Awards); On Your Feet!; Frankie

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    Small Mouth Sounds by Bess Wohl

    by Bess Wohl

    1
    AUTHOR’S NOTE

    This play was inspired by a silent spiritual retreat I participated in at the Omega Institute in
    upstate New York. Like that retreat, much of the action of the play happens without words.

    Because of that, I have provided extensive character descriptions. This is to help the actors and
    director navigate the play and to provide texture and depth to what they do.

    Much of what is in these descriptions will obviously remain a mystery to the audience — that’s
    okay by me. The audience should always be able to follow the main story lines but should also
    have a little bit of room to make — and revise — their own assumptions about who the
    characters are.

    2
    CHARACTERS

    Note: Everyone in this play is in some kind of agony. In this way, they are not unlike the rest of
    us. They have come to this retreat in the hope of finding some kind of relief. This desire should
    feel very immediate and present throughout the action of