Mariko mori biography

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  • Mariko Mori Japanese , b.

    Mariko Mori is widely regarded as one of the most important artists to emerge from Japan in the past fifty years. Her practice, which is founded in the belief of the interconnectedness of all things, explores universal questions at the intersection of the cosmos, life, death, reality, spirituality and technology.

     

    Her early work found its roots in Manga and cyber culture, often depicting Mori herself as a cyborg heroine seemingly from an alternate, pop-futuristic reality, navigating contemporary Tokyo. Her work has since expanded beyond that densely-layered, colorful hyper-reality to include a recent fascination with ancient cultures. Among cultures newly explored in Mori's work are the prehistoric Jomon culture in Japan and Celtic traditions in Europe, investigating a more abstract minimalism and celebrating the enlightening and expansive qualities of technological innovation and its interaction with its surroundings.

     

    Employing a

    Mariko Mori () is a multidisciplinary artist from Japan whose works often focus on the themes of life, death, reality, and technology. She studied at the Bunka mode College in Tokyo in the late s before moving to London, where she enrolled first in the Byam Shaw School of Art and then the Chelsea College of Art and Design. In , Mori founded the Faou Foundation. This organization aims to increase "awareness of our planet’s natural treasures and promotes the idea, through permanent public art installations and related community-based educational programming, that humanity and nature are of lika value."

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    Born in Tokyo, Japan | Lives and works in New York and London

     

    Mariko Mori is known for her abilities as a visionary well ahead of her time, and for her ability to move between the fields of performance art, media art, photography, and sculptures. She became known in the s for her pop-futuristic works, which focused primarily on manga and cyber-cultural phenomena. Her later works have contained references to prehistoric cultures, such as the Japanese Jomon culture and the Celts. Over the decades, the artist's works have achieved more layers posing generally secular questions concerning the intersection of life, death, the cosmos, and technology. Mori is able to achieve synergies between separate cultures and epochs, and even weave together theoretical physics with Buddhist philosophy.

     

    Mori is considered a contemporary art icon, and her works have been displayed in major solo and group exhibitions around the world, incl

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